Attractions and Places To See around Clifton Upon Dunsmore - Top 20

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The church isn't level inside! It's well worth popping in. The VE Day memorial is very well done and worth a closer look.

Draycote Water is an artificial reservoir (23 million m3), which was completed in 1969. In addition to its function as a water reserve, it is a leisure park u.a. for anglers, sailors, hikers. The rich bird life invites also to observations. Swimming is not allowed in the lake.

Excellent 8km cycling with great views and rest areas.

The parish church of ST. JOHN THE BAPTIST, on the west side of the main street, stands in a small churchyard on the slope of a hill, the ground falling from east to west, its eastern boundary being the outer ditch of the castle. It consists of a chancel, nave, north and south aisles, west tower, and north and south porches; the south porch has been converted into a vestry. It was rebuilt about the end of the 15th century and all that remains of the earlier church is the chancel, parts of the north aisle walls and possibly the staircase to the roodloft. The chancel is built of a mixture of limestone and sandstone rubble patched with bricks and tiles and has a modern steep-pitched tiled roof, modern coping and cross finial, and rebuilt buttresses. It is lighted on the east by a modern window of three pointed lights with a hood-mould and head-stops. The south side has a central buttress, and west of it are two restored lancet windows with a narrow doorway between them. The lancet to the west is divided by a transom to form a low side window. The doorway has a restored pointed arch, the splay carried down the jambs. The north side has a central buttress and another butting against the aisle wall, with a restored lancet window between them. The south aisle is built of red sandstone ashlar with a plinth of one splay, stepped down to conform with the slope of the ground. The wall is diminished in thickness by a weathered offset at sill level. It has a low-pitched lead-covered roof with a plain low parapet, with a moulded coping projected on a moulded stringcourse. The east gable is lighted by a partly restored traceried window of three cinquefoil lights under a hollow-moulded four-centred head. The south wall has buttresses at the angles, two intermediately, and a porch towards the western end. It is lighted between the buttresses by three windows similar to the one in the east wall. The porch has been rebuilt in brick and stone with a tiled roof and the entrance blocked to form a vestry. The south door, which has a four-centred arch under a square head, has been mutilated. The west end is similar to the east, but the coping is carried up as a lean-to instead of a gable. The buttress at the angle is diagonal, splayed to a point. The north aisle is built of rubble similar to the chancel and has a lean-to roof covered with lead, a battlemented parapet with trefoil panelled pinnacles at each end and crocketed finials. Originally there were two intermediate pinnacles, of which only the bases remain. The north side has diagonal buttresses at the angles, one intermediate and, towards the west, a porch. It is lighted by two three-light traceried windows with splayed fourcentred heads, the centre light trefoiled, the two outer cinquefoil; by a similar window on the east; and on the west by a trefoiled single light with a square head. The porch is timber-framed with a tiled roof, and the entrance has been fitted with a pair of modern doors. On both sides the timbering has been concealed, externally with roughcast and internally with plaster. The front retains its timbering, the entrance having a heavy moulded frame and four-centred head, carved spandrels and lintel, and a timber-framed gable plastered between the timbers. The door has a moulded four-centred head, square hood-mould, carved spandrels, and trefoil-panelled soffit and reveals which have been badly mutilated. In the centre of the hood-mould there is a shield with three swords (for Clarke). The tower is built of light-coloured sandstone ashlar with a moulded plinth and battlemented parapet on a coved string-course; at each angle there are bases for pinnacles. It rises in four stages, diminished at each stage by weathered offsets on the north and south, and on the east and west at the first and half-way up the third only. At the angles there are diagonal buttresses rising in five stages and splayed off to a sharp edge, except at the third stages on the west side which have gabled trefoiled niches. The west doorway, in a deep wave-moulded splay, is constructed of red sandstone and has a moulded four-centred arch under a square head, with carved spandrels. It is flanked by wall aracading in two tiers of trefoil-headed roll-moulded panels. Above the doorway is a tall pointed traceried window of three cinquefoil lights with a hood-mould, the tracery and mullions being modern, and in the second stage a clock dial. The tower staircase is in the south-west angle, with a loop-light to each stage and a square-headed doorway opening on to the aisle roof. The belfry is lighted on each face by pointed traceried windows of two trefoil lights, and the ringing chamber by similar windows on the north and south. Internally the floor of modern tiles has been laid to a continuous fall from east to west, probably taking the place of a series of steps, as the bases of the arcade pillars and windows are stepped down following the slope. The walls, except the arcades and tower, are plastered, the plaster being finished round all the aisle windows with scalloped edges. The chancel (28 ft. 4 in. by 15 ft. 6 in.) has four steps from the nave and three to the altar in addition to the slope of the floor. The east wall has a dado of modern coloured embossed tiles, and the window a segmental pointed rear-arch. At the east end of the south wall there is a shallow recess with a segmental pointed stop-chamfered head, probably a blocked piscina. The lancet windows have splayed recesses with square heads, and the doorway a segmental pointed rear-arch. The roof is a modern hammer-beam, its trusses supported on carved stone corbels. It is continued under the chancel arch with twin trusses, panelled between with pierced panels and supported on slender stone shafts with carved capitals and moulded bases resting on moulded corbels. The nave (48 ft. 3 in. by 17 ft. 7 in.) has a modern open roof with curved trusses resting on moulded timber corbels. Both arcades consist of five bays of pointed arches, of two splayed orders, supported on lozenge-shaped roll-moulded pillars, the arch splays dying out on the mouldings, which terminate in splayed stops on plain lozenge-shaped pedestals. At the junction of the south arcade with the chancel there is a circular stair up to a square-headed doorway which gave access to a rood, and half-way up there is a pointed opening to the aisle. It is lighted from the east by a small square-headed two-light window. The chancel arch is a modern pointed one, of two splayed orders, dying out on the north wall and on the south resting on a floriated corbel. The tower has a pointed arch of two splays to the tower and three to the nave, the inner order supported on three-quarter-round responds with moulded capitals and bases. The arch is of red sandstone with capitals of a light-coloured stone, and on the tower side in the apex there is a carving of an angel. The south-west angle is corbelled out in three steps for the tower staircase, the upper step being trefoiled, and below it there is a square-headed doorway. The pulpit and reading desk, of stone, are modern. The south aisle (49 ft. by 12 ft. 9 in.) has a lowpitched open roof of five bays with moulded members and carved bosses in the centres of the tie-beams. It probably dates from the early 16th century; the boarding and some rafters are modern. The trusses rest on stone corbels on the south wall, and on the north the outer roll mouldings of the arcade pillars are carried up with capitals in place of corbels. At the east end, the north-east angle is splayed to accommodate the staircase to the rood. The windows have hollowmoulded reveals with four-centred rear-arches, the window to the east having its arch extended eastwards and carried down to form a recess. The east wall has an offset at sill level with a chamfered stone capping, and the window reveals are carried down as a recess. In the east window there are some fragments of early coloured glass consisting of two chalices and parts of a canopy. The north aisle (45 ft. 7 in. by 9 ft. 11 in.) has a lean-to roof of five bays, of which two retain some of their original moulded members, probably early-16thcentury. The trusses are supported on stone corbels on the north wall and on square blocks of stone as capitals to the outer roll moulding of the arcade pillars. Over the door there is a painted coat of arms of George IV. The font, with a lead-lined basin, is built into the west side of the north arcade pillar opposite the door. It is of stone, with an octagonal moulded basin with paterae, and octagonal stem and base which has been rendered in cement. It has been re-dressed but is probably contemporary with the arcade. Near the door there is a small 17th-century oak chest with three hasps and fitted with lifting rings at each end. In the centre and east windows there are a few fragments of early glass, including a peacock and portions of a castle. The tower (15 ft. 10 in. by 13 ft.) has a window with widely splayed reveals, and a rear-arch of two splayed orders; the recess is carried down to include the doorway. In the chancel and aisles there are a number of 18thand 19th-century wall memorials. There are five bells, all of 1705, by Joseph Smith of Edgbaston. The registers begin in 1558.

The church of ALL SAINTS consists of chancel 23 ft. by 17 ft. 6 in., with vestry on the north side, clearstoried nave 41 ft. 8 in. by 17 ft. 6 in., north aisle 9 ft. 6 in. wide, south aisle about 8 ft. wide, south porch, and west tower 11 ft. square, all these measurements being internal. The tower is surmounted by a short leadcovered spire. The width across nave and aisles is 40 ft. All the roofs are leaded and of low pitch, with overhanging eaves. The building is generally of roughly coursed rubble, but has been much restored. The vestry was added about 1860, and the restoration of the chancel took place in 1887–8, when its south wall was rebuilt. The nave was restored in 1890, the old high closed pews and a west gallery erected in 1791 being then removed. The present seating dates from 1928. The tower is said to have been taken down to its foundations and rebuilt in 1728–9, but the old materials appear to have been used again. The earliest work in the building dates from c. 1150, to which period the half-round responds of the chancel arch belong: they have moulded bases and scalloped capitals with square chamfered abaci or imposts continued along the wall on the nave side. The extent of the nave of the 12th century church was probably the same as at present, but in the first half of the 13th century a south aisle was added and the chancel rebuilt as now existing. The south arcade and chancel arch are of this period (c. 1225–30), and the south doorway is also probably contemporary, though in appearance rather earlier in style. At the beginning of the 14th century a north aisle was added to the nave, and about a century later the tower appears to have been erected, followed shortly after by the addition of the clearstory. New windows were inserted in the chancel and south aisle, the east end of the aisle refaced or rebuilt, and the porch added. All this later work apparently extended over a considerable period towards the end of the 14th and the beginning of the 15th century. All the walls are plastered internally. The chancel has a chamfered plinth, but is without buttresses. At the east end of the north wall is the only remaining 13th-century window, a single lancet, (fn. 107) the hood of which has notch-stops. The fourcentred east window and one in the rebuilt south wall are of three cinquefoiled lights, and there is a square-headed window of two trefoiled lights west of the modern priest's doorway. A round-headed north doorway, now opening into the vestry, may belong to the 12th-century church. The unmoulded trefoiled piscina recess has a slot for a wooden shelf, but the bowl is new; below the south-east window is a rectangular aumbry. The chancel arch is of two chamfered orders without hood-mould. The roof is modern, with flat-boarded ceiling. The nave arcades are of three bays, with pointed arches of two chamfered orders, those of the 13thcentury south arcade springing from cylindrical piers with circular moulded capitals and bases, and from similar half-round responds. The arches have plain hood-moulds on each side. The piers and responds of the later north arcade are octagonal, with deeper moulded capitals and the hood-moulds of the arches have head-stops. The south doorway is a good example of early 13th-century work, with semicircular arch of two orders, and hood-mould enriched on the underside with a continuous line of dog-tooth. The inner order has a keel-shaped moulding springing from plain chamfered imposts on nook-shafts with moulded bases, and simple water-leaf (west) and foliated capitals. There are traces of colour on the wall on either side the opening inside the porch, and a scratch dial at the top of the west jamb. The south aisle is lighted by two windows in the south wall, one on each side of the porch, that to the east being of three lights similar to those in the chancel, and the other a square-headed window of two trefoiled lights. There is also a single-light trefoiled window of c. 1350 in the west wall, but the east wall is blank. In the north aisle are two 14thcentury square-headed windows respectively of three and two cinquefoiled lights, and west of the blocked doorway a modern window of two lights. The end walls are blank. There are three pointed clearstory windows on each side, all of two cinquefoiled lights, with tracery and hood-moulds, and above them a hollow-moulded string. The low-pitched east gable has a modern apex cross, and stands high above the chancel roof. The tower is faced with ashlar, and is of three stages, with moulded plinth and diagonal buttresses the height of the lower stage. The pointed bellchamber windows are of two trefoiled lights with quatrefoil in the head, and the tower terminates with a plain moulded parapet behind which the tiny spire is scarcely seen. There is no vice. The two lower stages are blank on the north and south, but on the west there is a square-topped doorway with plain lintel, and above it a second lintelled opening with wooden door; over this again is a glazed pointed opening with central mullion, the whole arrangement apparently dating from the 18th-century rebuilding. There is no arch to the nave, the west wall of which is pierced by a square-headed doorway. The font is of 12th-century date, and consists of a large rectangular bowl with plain sides and shafted angles with cushion capitals and moulded bases; the capitals have a line of pellets at the angle. The modern Gothic oak pulpit was formerly in Wisbech parish church. In the floor at the east end of the south aisle are the brass effigies of Kenelme Cheseldyn of Uppingham (d. 1596) and his wife Winefred, daughter of Francis Say of Wilby, Northants, and an armorial brass plate to Edward Cheseldyn of Braunston (d. 1642). A large blue floor-slab in front of the chancel arch has the indents of a single figure and an inscription. There are considerable traces of mediæval paintings on the east and south walls of the south aisle. In the middle of the east wall is an image bracket about 6 ft. 6 in. above the floor, which probably supported a figure of our Lady of Sorrows, of which the painting formed the background. An angel with outstretched wings is depicted on either side and on a medallion at the north end are a cross and the instruments of the Passion. On the south wall are portions of a text and fragments of a painting in red and black of the Mass of St. Gregory. It depicts an altar with chalice and paten, and about the altar four candlesticks and a patriarchal cross.  There is a stone coffin in the south aisle, and in the churchyard is preserved a grotesque stone figure (fn. 116) of the type known in Ireland as 'Sheela-na-gigs,' which was found in use, face downward, as a doorstep into the church. There are four bells in the tower: the treble is by Thomas Newcombe (II) of Leicester (c. 1562–80), inscribed 'S. Thoma,' the second dated 1710, the third by Hugh Watts of Leicester (c. 1593–1615), inscribed 'Praise the Lord,' and the tenor by Thomas Norris of Stamford, 1660. The plate consists of a cup of 1570–71; a paten of 1640–41; an undated paten with makers' marks 'R-S' only, and a pewter flagon.

A number of amenities are on offer at Hillmorton Locks. This is one of the busiest stretches along the Oxford Canal. The Canalchef Cafe is a simple establishment that serves terrific, hearty portions.

There is one problem with this side of Draycote water and that's the bugs. The wind blows across the lake and you get a face of bugs. But the views are good and it's always a good section of a ride, always busy when the weather is good...