The best traffic-free bike rides around Graves-Saint-Amant

Feet in the river to cool down

HISTORY BOURG GRAVES SAINT AMANT Like its neighbor Angeac, the parish of Saint-Amant-de-Graves was a dependency of the seigneury of Vibrac. During the Revolution, the commune of Saint-Amant-de-Graves was provisionally called Amant-Charente. On January 1, 1997, the commune of Graves merged with that of Saint-Amant-de-Graves which then took the name of Graves-Saint-Amant. HISTORY CHURCH GRAVES SAINT AMANT The village of Graves is home to a parish church, the Saint-Martin church built in the 12th and 15th centuries. The latter contains in particular a mural painting (main shades red and yellow) dating approximately from the 15th century apparently representing a biblical scene (restored in 1977), which is classified as a historical monument as an object. The church has been listed as a historical monument since 1986. The church of Saint-Amant was given in 1124 by the Bishop of Angoulême, Girard II, to the Abbey of Savigny, who gave it to the priory of Bouteville. The latter kept the parish until the end of the 15th century. In 1460, Saint-Amant was the seat of a priory of its own. Unfortunately, the Wars of Religion were detrimental to it, and it was suppressed in 1580. The church of Graves, which formerly depended on the archdeaconry of Saintes, occupies a picturesque site on the left bank of the Charente. It forms a long rectangle in plan. The nave is composed of a long single bay under a barrel vault, originally Romanesque, but rebuilt at a later date. A square bay under a bell tower follows it. It is vaulted with ribbed liernes. A similar bay, whose vault bears a large, crude shield as a keystone, forms a choir with a flat chevet. Its axial bay is slightly offset to the north. The façade, high under an obtuse triangular gable, bears a cornice with modillions decorated with animals and human masks. The portal has two bare semicircular arches, separated by a chamfered joint cover with large sculpted flowers. The capitals of the side columns have been redone. Between the top of the portal and the level of the pediment, four large stone corbels once supported a canopy. Below, an enigmatic relief, probably late, shows a bearded face between the sun and the moon. The side walls have flat buttresses ending in glacis. They show that the nave, before its renovation, had two short bays. The bell tower is a beautiful piece of architecture. It has a bare base and an openwork floor with two semi-circular bays on each side. A spiral serves it in the southwest corner. Its bays were once separated in two by a small column that supported a small monolithic bare tympanum notched with two arches, and surmounted by a circular opening. This arrangement has been partially preserved. The exterior of the choir has bays from the end of the 12th century, and others probably after the Wars of Religion. Furniture: in the north wall of the bay under the bell tower, a painting shows a kneeling donor on the left, three figures against a background of yellow and red flowers, and, on the right, a priest saying mass near a kneeling altar boy. Despite the state of wear, which has made the inscriptions accompanying the scene illegible in particular, one can see the "Mass of Saint Martin", patron saint of the church. On the north wall of the choir there is another painting showing several scenes from the Passion: Jesus in the Garden of Olives, the arrest of Christ, Christ before Pilate, and the flagellation. These paintings are late, popular in style and somewhat naive.

You can even rent canoes there to discover the Charente river in a different way.

A beautiful place, known for its climbing site. But there are more possibilities: the heights accessible by small slopes offer beautiful views.

Not yet fully developed on Komoot, so we only recorded part of the route, but the reality of our vacation is that we did the bike flow, from Angoulème to Ile Madame with our 11-year-old grandson at the rate of 50 km/day and that I can only recommend! Very nice hike, varied landscapes, pretty little villages, hotel campsites and frequent refreshments, a well-maintained path overall, everything to please!

A Romanesque church probably built in the 12th century.

Excellent cozy spot on the banks of the Charente, ideal for taking a break and having a meal with good homemade products made from local produce. There are also tools available to repair bicycles. Very pleasant welcome and service.

Abbey of Saint-Étienne de Bassac, (Sancti Stephani de Bassaco vel Bassacensis, Bassacum): Monks of the order of Saint-Benoît, united in 1666 to the Congregation of Saint-Maur. It was founded at the beginning of the 11th century by one of the Princes of Angoulême, called Guadardus de Lorichis, in honor of St-Etienne, the first martyr, according to what is reported in the acts of the life of Grimourd (bishop of 'Angoulême), but in the history of Angoulême it is said that it was founded by Wardrard de Jarnac, and his wife Rixende. Be that as it may, the church and the regular places having been destroyed by the heretics, the Benedictines of the congregation of St Maur who were introduced there, restored everything, and had a beautiful church built. The Abbot has the collation of a few simple priories, and the appointment to a few parishes. • Foundation in the 11th century. Church rebuilt from 1247 to 1286. • Defensive works at the end of the 14th century. • Abbey burnt down by the Anglo-Saxons in 1434. • Reconstruction in the second half of the 15th century. • Abbey plundered by the Protestants between 1564 and 1569. • Maurist reform introduced in 1666 after the abbey had been abandoned for nearly a century: rehabilitation and restoration until 1746 (conventual building, guest room, etc.). • Abbey sold as national property during the Revolution. • Destruction of the Gothic cloister in 1820. • Major restoration work on the church and abbey buildings during the 19th and 20th centuries. Many times transformed over the course of congregations and historical events, it mixes Romanesque, Gothic, Baroque and Classical styles. Listed as a Historic Monument, the Saint-Étienne de Bassac abbey today unveils a rectangular abbey church consisting of 4 bays and a flat chevet. Gothic in style, it has however retained the bases of the original walls and has domed rib vaults. Romanesque, the bell tower is not lacking in charm, just like the apse and the 13th century chapel pierced by a bay and covered with a ribbed vault. The 17th century convent buildings are also still visible. Like several other religious sites around the world, the abbey of Saint-Étienne de Bassac had a “Gate of Mercy” in 2015-2016; door which, on the margins of the Holy Doors open every 25 years or according to the exceptions fixed by the pope during the course of the holy years or Jubilees, was established at the abbey of Saint-Étienne de Bassac following the desire of Pope Francis to see the Jubilee of Mercy spread all over the world. In short, this Door, like all the other doors of Mercy, supports the Holy Doors in their roles in the Jubilee of Mercy proclaimed by Pope Francis from December 8, 2015 to November 20, 2016 In addition, the Saint-Étienne abbey now hosts retreats, and also has an approval to receive green classes. Opening hours: Monday: 09:00 – 18:30 • Tuesday: 09:00 – 18:30 • Wednesday: 09:00 – 18:30 • Thursday: 09:00 – 18:30 • Friday: 09:00 – 6:30 p.m. • Saturday: 9:00 a.m. – 6:30 p.m. • Sunday: 9:00 a.m. -6:30 p.m.