The best MTB trails around Saint-Germain-Du-Seudre

Even more beautiful after its restoration

This magnificent church building - originally Romanesque - was dedicated to the patronage of "Saint-ETIENNE". He was one of the first seven deacons of the original Jerusalem community and, according to the biblical accounts in the "New Testament", was also the first martyr (martyr) of early Christianity. The church commemorates his death on the second day of Christmas, December 26th. As the Acts of the Apostles report: When Stephen expressed his vision of the open heavens "But he, filled with the Holy Spirit, looked up into heaven and saw the glory of God, and Jesus standing at the right hand of God" (Chapter 7, Verse 55), the people were so outraged that they drove him out of the city and stoned him.

The Château de La Salle certainly originated from the stronghold of Ozignac, which gave its name to the current hamlet of Louzignac, located near the castle. Located in the middle of a vast plain, the Château de La Salle is a classic building, sober, rigorous and of great coherence, which seems to have been erected in one go. Built on a north-east-south-west axis, it is accompanied, to the south-east, by a vast lateral courtyard lined with outbuildings, to which formerly corresponded, to the north-west, a tall forest which sheltered it from the winds. dominant. The set was preceded by a long straight avenue lined with trees whose layout is barely discernible today, but which is revealed by the first cadastral plan of Gémozac. It led to the forecourt which was further punctuated by two identical pavilions covered with tiles. Only the corner one remains. That of the north corner, although protected in 1990 as historical monuments, disappeared after being damaged by a fire. The castle itself is built in the axis of the forecourt, on a rectangular embankment surrounded on all sides by ditches cut in the rock, which allowed the extraction of part of the building materials. It is accessible by crossing an axial bridge with two arches. The ditches are protected by square section balusters, except in the northern part, where they have disappeared. Composed of a ground floor and a first floor, the residence of the lords of La Salle includes, on the arrival side, a main building at the back of the courtyard, framed by two symmetrical side wings. Of the same height, these three bodies of buildings are covered with a roof topped with Roman tiles, except on the two small sections placed on the side of the forecourt, where the flat tiles were used. To the south-west, on the side of the old parterres, the castle develops a more generously lit facade. Before certain openings were blocked, it had eleven bays, regularly organized from the axial bay which is marked by an elegant bridge-perron with three arches spanning the moat. Each of the two corners is marked by a fore body with three bays arranged in the extension of the side wings of the facade overlooking the forecourt (see the aerial view). The south-east side wing contains the old kitchen which is still covered with a semi-circular vault.

A beautiful road that crosses fields of sunflowers. There is a slight incline so you can test your legs a bit.

hell and full of bugs

Nice place to refuel: bakery, cafe and very quiet and relaxed.

Turn right for a beautiful cycling route

Originally, the Romanesque building had a Latin cross plan with an apse on each transept arm and a single nave. A first intervention was carried out in the Gothic period, perhaps after the Hundred Years War, at least on the vault of the south transept arm and the openings. The building suffered a lot of damage during the Wars of Religion (traces of fire in the north; mutilation of the upper parts of the transept; reconstruction of the sanctuary with a flat apse). The presence of stalls in the choir, which do not predate the 18th century, attests to the function of the conventual priory still at that time. Thirteen canons regular of the order of Saint Augustine were attached to it. In the 19th century saw the light of day the construction project of a bell tower that could serve as a berth for boats sailing on the Gironde. From 1857, the expansion of the church and the construction of the bell tower were recognized as essential. The architect Alaux's project was selected and the sculpture work on the new bell tower-porch was entrusted to the statuary Aristide Belloc. The old facade is demolished to make room for it. The western span of the nave has been lengthened. The apse has become flat and only the south apse of the transept has been preserved. The old exterior elements are in the residual state. Inside, in the crossing of the transept, the bundles of Romanesque columns have been preserved. Carved capitals bear witness to the original building (confronted animals, stylized foliage palmettes, foliage, interlacing). In the south arm of the transept, a molding resting on figure bases and a flattened capital decorated with three faces with departures of ribs, testify to the restorations and the heightening of the transept at the end of the Middle Ages (14th or 15th century).