Attractions and Places To See around Flexanville - Top 20

This small table is in the oldest large circle. A large table is located in the new small star. An old table, called the "débotter" table, on which the king sat so that his large hunting boots could be put on, it also served as a snack table and also, and perhaps especially by climbing onto it by a circular bench, as an observatory in the center of a star. The small table of Beynes seems the oldest, it is a large circular block, split in the middle and supported by four terminals. The large table is more ornate with the inscription "remade in 1783", and its top bears the indication of the roads, also serving as an orientation table. This assignment is unique, moreover the inscription "Route d'Auteuil" does not correspond to the star where it is, but to the Grand Rond. It is reasonable to think that the table from Ste Appoline (Plaisir) was brought there first, while the one from Beynes was being remade, then the tablets were reversed, and this is how the large table is in the small star and gives the orientations of the Grand Rond.

"Joseph-Maurice Ravel (* March 7, 1875 in Ciboure; † December 28, 1937 in Paris) was a French composer and, alongside Claude Debussy, the main representative of impressionism in music. His best-known work is the orchestral piece Boléro, which was originally conceived as ballet music." (Source: Wikipedia) There are numerous films with the Bolero on the video portal YouTube. I have selected a recording by the WDR (West German Radio) Symphony Orchestra as a suggestion for anyone who wants to listen to it. https://www.youtube.com/watch?v=cmNEvSFWftc

Cemetery set with a magnificent Cloister. There are many famous stars there, Maurice Ravel among others. Diagonally opposite the Cloister, nestled in a corner near a discreet exit is the family vault of the unforgettable Charles Aznavour.

Church located in the Yvelines in Beynes, in the west of Paris. It dates from the 13th century and has seen various demolitions and reconstructions throughout history. Today located in the city center, you can stop there for a supply or simply catch your breath.

Here at 36 rue de l'église, an old house different from the neighboring buildings. This is the "Tric" villa acquired in 1915 by Henri Désiré Landru to commit his macabre crimes. Within these walls, 7 women were murdered between 1915 and 1919 among the 11 officially recorded victims. The choice of the Gambais villa was motivated by its isolation, as it was 300 m from the nearest house (this is obviously no longer the case now), and by its outbuildings and the basement. Here were found supposedly human remains in a heap of ashes discovered in a shed, in the fireplace, and in the stove; one will also find clasps, pins, pieces of corset, partly burnt buttons. In all, the police found 4.176 kg of charred bone debris, including 1.5 kg undoubtedly coming from human bodies, as well as 47 teeth or tooth fragments. The medical examiner will announce to the press that these bones correspond to three heads, five feet and six hands. Having become a famous place on the occasion of the resounding trial, Villa Tric de Gambais was looted by the crowd, then sold to a restorer who renamed it "Au Grillon du Foyer" and converted part of the building into a museum. It even seems that the "Landru" rib steak was served there, grilled over a wood fire... The restaurant closed its doors in 1940 and the house was then sold to private individuals. The famous villa also gave rise to a series of postcards. Somewhat forgotten after several decades, the house came back into the news in 2018 when it was put up for sale with an announcement very discreetly stating "very beautiful house steeped in history"... The cook of the villa after a succession of transactions ended up being bought by Laurent Ruquier. Passionate about the character, he wrote a play on the subject, in 2005, with Régis Laspalès in the main role. No sign, no sign comes to announce the history of this house which undoubtedly wishes to fall back into oblivion.

Super beautiful, and well highlighted by the municipality.

From the 8th century, Beynes is a land owned by the abbey of Saint-Germain-des-Prés. It is therefore monks who clear and cultivate the land of Beynes. They build a first place of worship, probably in wood. At the beginning of the 11th century, King Robert II the Pious (972 / 1031) gave the fiefdom of Beynes to Guillaume de Hainaut, first lord of the Montfort family. In 1072, it is attested that Beynes depends on the priory of Saint Laurent de Montfort-L'Amaury. In 1159, a papal bull from Pope Adrian IV, the only English pope in history, attests that King Robert the Pious granted the patronage of the church and the main tithe to Saint Magloire Abbey in Paris. The construction of the current church is dated from the middle of the 12th century, date of the appearance of the parish, consecrated to Saint Martin in 1183. The church has undergone various episodes of demolitions and alterations over the centuries, and appears to have been partly rebuilt in 1773, then remodeled and extended in the 1830s to 1880s. Subsequently, numerous consolidations and repairs took place. The choir, the oldest part, dates from the 12th century, while the nave and the side aisles on the basilica plan are from the 18th and 19th centuries. The Virgin and Child: polychrome stone statue from the 14th century, listed as a historical monument since 1907. The tabernacle: the 18th century sculpted wooden altar, surmounted by a 17th century altarpiece, has been listed as a historical monument since 1907. This tabernacle was sculpted by monks who reproduced certain elements of the portal of the Saint Gervais church from Paris. The two small wooden statues adorn the sides: Saint Vincent and Saint Nicolas. The capitals of the choir: vestiges of the primitive church of the 12th century have been updated: columns, Romanesque capitals, departure of a double roller arch and slightly broken Romanesque arcades.

The castle of Beynes is installed in the bottom of a valley. Its construction dates back to the 11th century. It first had a military role at a time when the course of the Mauldre constituted a line of defense of the royal domain, to the west, in particular against the English during the Hundred Years' War. In the 15th century, the castle having lost its strategic importance due to the extension of the royal domain, Robert d'Estouteville, chamberlain of King Charles VII and owner of the premises, made it undergo some modifications, by demolishing the keep and adapting the nascent artillery fortifications. In the 16th century, in 1536, the estate was ceded to Diane de Poitiers (Madame de Valentinois) by Henri II, her royal lover2. She had a new dwelling built by Philibert Delorme, author of the Château des Tuileries, the Château d'Anet or part of that of Chenonceau. The castle is among the first listed with a framework that was a precursor to the principle of glued laminated timber, the technique of which was therefore invented by this great architect3,4. In the 17th century, in 1688, ladies of the high aristocracy gathered there around the mystical Madame Guyon. On October 4, they organized a meeting at the château between Madame Guyon and their spiritual director, the Abbé de Fénelon5. This one becomes one of the most fervent disciples of Madame Guyon6. In the 18th century, the ruins of the castle served for a time as the setting for the English park laid out by the Phélypeaux de Pontchartrain who then owned it. An estimate for its restoration is produced7, its cost probably convinces the owners to leave it as it is. Abandoned then dismantled, it even serves as a quarry for the construction of the village. In 1967, the Château de Beynes was bought by the municipality, which was responsible for saving the estate, which was then buried by vegetation. From 1995 to 1999, it was excavated and then benefited from reinforcement works. In 2014, all the remains were classified as historical monuments 8. At the beginning of June 2016, heavy rains caused the flooding of the moat9,10, and the collapse of a section of the wall. Work, in the form of a subsidized and sponsored volunteer site, is underway to stop its deterioration and allow its access to the public11.