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In the 15th century, the original church, probably from the 12th century, was burned down. During the reconstruction, a side aisle was added. The bell tower dates from the late 19th century, as do the painted motifs on the walls.

The Saint-Lubin church of La Chapelle-d'Aunainville is a religious monument located in the town of the same name. This place of worship, whose exact period of construction is not specified in the available sources, is part of the local architectural landscape. Its name refers to Saint Lubin, a religious figure associated with the region, although the details of this dedication are not documented in the source text. In the general context of the Centre-Val de Loire, parish churches like Saint-Lubin played a central role in community life in the Middle Ages and modern times. They served not only as a place of prayer, but also as a gathering point for the inhabitants, marking social, agricultural and religious rhythms. Local activities, often linked to agriculture or crafts, were organized around these buildings, which also symbolized spiritual and sometimes temporal authority in the villages.

The bell tower and nave were erected in 1150 to house the relics of Saint Martin. The choir and side aisles date from 1519. At the beginning of the 17th century, significant ornamental donations were added, as well as two altars in the side aisles dedicated to Saint Sebastian and the Virgin Mary. Major renovations were carried out in the 19th century: the choir vaults were completely rebuilt in 1859. The stained-glass windows date from 1871. A baptistery outside the building was built to the north of the first bay of the nave. The bays above each altar are built in the neo-Gothic style. The original decoration, dating from the 16th to 18th centuries, consisting of geometric elements in red, yellow, and black, has recently been restored. It is a tempera painting on a sand and lime plaster. It adorns the elevations and the vaults of the two lower sides.

The nave consists of a main nave and an aisle to the north. A bell tower is located to the south, as well as a seigneurial chapel. The choir consists of a straight bay and a semicircular apse. A first church was built in the late 11th and early 12th centuries by Étienne de Denonville. It was modified in the 16th century by Pierre de Hémard. A seigneurial chapel was built shortly after the death of Jacques de Hémard, Lord of Denonville, in 1559. On the old vault, in 1658, one could still see "the coat of arms and blazons of the Hémard family, which are six sable burels, around which are the hat and cords of a cardinal from the family." The vault was rebuilt by the Brisay family in 1722. A project to extend the church was considered in 1755 but never carried out. The north aisle was built in 1770.

The tower of the church of Sainville, as well as the choir and the first three bays of the main nave, are in the Transitional Romanesque style from the end of the 12th century; the rest of the main nave and the side aisles appear to date only from the 15th century. The bell tower contains three bells. The largest, listed as a historic monument, is engraved with a quatrain: "Founded smokes all new I am the Patron of Sainville, I bear the name of St. Peter. In the year 1014. XLIX." (1549) The second, from 1821, bears this inscription: "Blessed be the Lord God of Israel, for he has visited and redeemed his people." Gospel of Saint Luke, chapter 1, verse 68. The third is located above the other two.

According to tradition, the church choir covers the remains of an older building, possibly dating back to the 6th century, which was built to house the saint's body. According to current knowledge, the commune of Saint-Piat (Sanctus Piatus in Latin) officially appeared in 1087, mentioned in a charter of the Nottonville Priory (Eure-et-Loir), on which it depended. The current building was rebuilt during the time of Francis I, as suggested by the date 1535 engraved on two buttresses of the apse and the date 1542 engraved on a piece of wood from the vault. This is according to a study by the SAEL (Eure-et-Loir Archaeological Society). The three-sided apses, the dripstone towers (horizontal members projecting from a wall), and the sculpted roof structures are a testament to the importance of the reconstructions carried out in the department during the 16th century. The church of Saint-Piat is one of them. While the church has not been officially recognized, it nevertheless contains objects that have attracted attention both for their antiquity and quality, but not always for good reason. Their artistic value, far from attracting only religious or aesthetic interest, has also aroused a covetousness that, unfortunately, remains for some of them. Fortunately, those still in place are carefully cared for and offer the curious a story to discover, a beauty to slowly ponder as they progress toward the choir.

On the night of April 2-3, 1903, a terrible fire completely destroyed the church of Saint-Sulpice. The spire, the roof, and all the furnishings—pews, pulpit, woodwork, altars—were consumed; only the walls remained standing. This church, 23.80 m long and 6.90 m wide, built in the shape of a perfect parallelogram with a straight chevet, formerly lit by a triple lancet window, was flanked on the right by a groin-vaulted chapel 6.10 m wide and 5.55 m deep, and on the left by the bell tower, beneath which was once a chapel, also groin-vaulted, but transformed into a sacristy a few years ago. This tower, reached by a stone staircase, was topped by an octagonal timber-framed spire, elegantly crafted and the tallest in the entire region. This church has been remodeled several times, most recently during the reconstruction of the Chapel of the Blessed Virgin in 1764. However, this dates back to the 16th century, as evidenced by the flamboyant ogival window with two mullions, only the top of which was visible, the lower part having been walled up to accommodate the altarpiece. The second window, on the south side, is semicircular with a mullion, adorned with stained-glass windows with figures of the Blessed Virgin, Saint Anne, and Saint Joachim framed in small medallions painted by Mr. Lorin in 1895. The nave wall received windows of the same style at the same time, but the enormous buttresses and the freestone stringcourse with dripstone were erected in the 16th century. The rest of the church, the gable of the façade with its Romanesque window flanked by two barely protruding pillars, the gable of the chevet with its triple lancet arch, protected by a semicircular arch of dressed stone, the entire north wall, also supported by slightly protruding buttresses and adorned with semicircular windows, and the bell tower, date from the late 12th century. The exterior entablature of the chevet was formed of carved corbels with foliage and strange, crude figures (alternating human heads and rams' heads), irrefutable evidence of this ancient origin. The church was consecrated after the 16th-century restoration, and a beautiful consecration stone with trefoiled ends can still be seen. The church's benefactor had his coat of arms carved on a projecting shield on the corner buttress of the façade gable, and inside the seigneurial tier. The destruction of the woodwork revealed two double oval shields on either side of the high altar, surmounted by a marquis's crown and supported by two greyhounds. The dexter shield bears a gules chevron, accompanied at the top by two roses of the same color and at the base by a cross of Lorraine; the sinister shield reveals a wild boar at the base and two flames or thunderbolts at the top. Could these be the arms of Mre Loup de Cosne? These same shields are found in the Chapel of the Blessed Virgin in four places and in the sacristy. In the Chapel of the Blessed Virgin, a third shield is also found bearing a standing lion, attached to a shield bearing a wild boar and two flames. In 1623, Loup de Cosne, Lord of Vovelle, had a daughter named Francoyse, baptized in Dammarie; in 1653, Charles de Cosne was lord of Loiville and Mre Mangot, lord of Boncé.

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